Another Ivers Gibson Mandolin Orchestra Photo Turns Up at Montreal Quebec Antique Market

Update on the above mentioned photo: Ward Meeker, Vintage Guitar Magazine editor was nice enough to put me touch with the gentleman who sent the photo to George Gruhn for the Q&A column.  Turns out the photo was purchased at an antique market near Montreal, Quebec /Canada. So the photo made it's way from Lawrence, Mass. to Montreal. Not at all surprising, as my great grandmother's family moved to Lawrence from Montreal. (she's pictured here holding the A Model next to my great grandfather holding the F Model)  Also, the young lad holding the A Model in the front row is more than likely my grandfather George Ivers who later married a French Canadian woman. Small world. And a real fluke for me to learn of this existence of this photo. Thanks to Roland Lafrance for finding the photo, and sending the picture to Vintage Guitar Magazine. Also, thanks to Ward Meeker VG editor, and Greorge Gruhn for their follow up. It's and honor and privilege to have these esteemed giants of the vintage fretted instrument industry take the time to help with this.

Newly Discovered Photo of a JL Ivers Mandolin Orchestra From 1916

This morning, a Co-worker gave me copy of the latest Vintage Guitar Magazine (July 2015) . In the Q&A with George Gruhn column, a reader asks about the origin of a picture he found at an antique market with the caption "The Gibson Mandolin Orchestra Lawrence, Mass 1916".

George Gruhn explains "From the early 1900's through early '20s, mandolin orchestras were extremely popular, in part because Gibson instruments were sold primarily through music teacher/Gibson agents, rather than music stores. Gibson established a network of agents who organized mandolin orchestras, recruited students, and sold Gibson instruments on payment plans, which greatly increased sales and meant instruments could be sold at higher prices. The company even sent posters to agents so they could hang them around their town promoting concerts and other events where they could recruit students. (and potential Gibson instrument buyers) In addition to publishing instruction methods for students and manuals for teachers, Gibson catalogs from the 1910s and '20s are filled with photos of mandolin groups from all over the US. Though we don't believe your photo (see below) is such an example, a photo showing the same instructor/Gibson agent- Joseph Ivers appeared in Gibson's 1921 catalog.

Here's the picture. (I'm working on acquiring a higher resolution copy)

This is a really cool discovery for a lot of reasons. Through research I've done, I knew my great grandfather was a Gibson agent while he lived in Adams (now North Adams) Mass, from around 1920 and later, but only guessed or wondered about his relationship with Gibson prior to 1920. I knew we had a 1914 F-4 that was his (well documented in the blog, maybe pictured here, and definitively pictured in the arms of my great grandmother Mary Ivers in the 1921 "Everyone A Gibsonite" catalog photo at the beginning of this blog) but wasn't aware of any professional relationship he may have had with Gibson in the years he lived in Lawrence before he moved to Adams in 1919. With the discovery of this picture I know for sure he was a Gibson agent as early as 1916. My great grandfather is pictured here in the center with an F model, probably my great grandmother with an A model next to him, and I'm guessing my grandfather or maybe one of my great uncles with an A model in front of him. My father believe the boy pictured is his father/my grandfather George Ivers.

Thanks to the Vintage Guitar Magazine reader who found the picture and sent it to the magazine. Thanks also to George Gruhn for taking the time to answer the reader's question. Special thanks to Vintage Guitar Magazine editor Ward Meeker for sending me the picture.

Here's a cropped high resolution version.